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‘Drama Rock’ by Dreamcar, Roisin Murphy and Lady Gaga, Debuts at Coachella Amid Innovative Acts, Music

By DONNA BALANCIA

Powered by Dreamcar, Roisin Murphy and Lady Gaga, “Drama Rock” made its debut at Coachella this year.

The Davey Havok-fronted band Dreamcar, and the Irish-born Murphy took the blending of music and art to a new level at the annual festival season-opener in the desert.

Tony Kamal and Davey Havok – Photo © 2017 Donna Balancia

The dapper Havok of the new group Dreamcar, sported a slick suit despite the triple-digit heat and he crooned to the audience like a torch singer from the 1940s. The act is very physical as Havok runs the length of the stage, jumps into the audience, high-fives the people and sings with tremendous, in-your-face force.  There seems to be a side of Havok that hasn’t left the hardcore punk behind, despite his tidy outward appearance. Havok has matured in his approach to music and he gives Tony Kanal and the No Doubt core a frontman that can carry the group forward.

Havok is clearly an audience favorite as fans scream for him and adore him — particularly the California contingent — as he’s from Ukiah, Calif.  The band played cuts off the new, self-titled album due May 12.

The many faces of the incredibly talented Roisin Murphy – Photo by Coachella

Roisin Murphy takes costume changes to a new level, as she must have changed either shirt, skirt or facial attachments at least 16 times during her set.  This amazing artist is like a combination of Gloria Gaynor and David Bowie.  It’s avant-garde music but set to the disco beat, which got all the festival attendees in the Gobi Tent up and dancing with each other.

Strictly from her appearance it would seem she is the Irish Bjork, as Murphy’s accessories are very bizarre.  Fuzzy flowers with faces, masks, and offbeat but feminine clothing is the name of the game here. The music, though, carries through the shenanigans and resonates with deep impact despite the visual whirlwind on stage.

Murphy’s a producer and has cut her teeth in the theatre and it’s easy to identify that background.  She was a special treat at Coachella and the festival would be well suited to bring on more performers like Murphy. Her latest album is Take Her Up to Monto.

Blossoms brought the drama among the press that surrounds a band on the rise – Photo courtesy of Coachella

Blossoms didn’t have theatrics to incorporate into their show, but the drama that surrounded the U.K band was noted as their appearance caused a splash with the media. There was a lot about Blossoms that drew the media and the fans around the Outdoor Theatre stage at the early part of the day. The music is upbeat and catchy. U.K. band is comprised of Tom Ogden, Charlie Salt, Josh Dewhurst, Joe Donovan and Myles Kellock.

Ogden made a sure bet that Blossoms is the only band at Coachella in which the band mates were all born in the same hospital. The hospital is back in Stockport, Manchester.

Also making a splash on the hot weekend 2 were Car Seat Headrest, War Paint, Toots and the Maytalls, The Allah Las, Grace Mitchell and Sunday headliner Kendrick Lamar whose Damn is a major hit.

Banks and Steelz had a great afternoon set and they brought Bishop Briggs up to the stage to join in on the song, “Wild Season,” and she held her own. Florence Welch is the featured singer on the song on the Banks and Steelz debut album, Anything But Words.

Will Toledo of Car Seat Headrest – Photo courtesy of Coachella

Then there’s the drama that goes with the artist who didn’t want his photo taken. We’re not sure what the purpose is for any musician to not want to be photographed by anyone when they are performing to the people who (sometimes) buy the music.

The artist who didn’t want his photos taken – courtesy of Coachella

Lady Gaga, whose tireless theatrics make people tired just observing, did not fail to impress on weekend 2.  This time, she brought her parents, but still veered little from the week before.  She played the classics as well as her new song, “The Cure.” She said she wanted to find out how many people had been listening to it since the song debuted the week before.  And as if not to be outdone by any of the other acts during weekend two, Gaga punctuated her final Coachella set with a dramatic fireworks display.

Lady Gaga and her men – Photo courtesy of Coachella

Lady Gaga Pops Her Coachella Cherry with Dynamic Show, Drops New Single ‘The Cure’

By DONNA BALANCIA

Lady Gaga blew away the estimated 100,000 fans during her theatrical and long overdue appearance at Coachella Saturday night.  And she dropped a new single just for the occasion, called “The Cure.”

Gaga on the big screen – courtesy of Coachella

Resplendent in her Coachella virginity, Gaga’s new name should be The Chameleon as she opened the show in a Marlene Dietrich looking black-leather outfit complete with retro leather motorcycle cap, and channeled Madonna, The Beatles and Elton John during her 90-minute performance.

Lady Gaga’s new song, ‘The Cure’ is available on iTunes – Photo courtesy of Coachella

She ran down a setlist for the ages, including crowd favorites, like opener Scheisse, John Wayne, Just Dance, Alejandro, Mirror on the Ceiling, Edge of Glory and Pokerface.

Gaga gave props to Beyonce — whom she replaced as the Saturday night headliner when Bey withdrew on doctor’s pregnancy-related orders — by performing “Telephone,” complete with Queen Bey’s voice recording.

Gaga’s setlist included favorites like ‘Pokerface’ and ‘Bad Romance’ – Photo courtesy of Coachella

Before performing Born This Way, Gaga said “I remember when I put this record out it caused trouble. I love to cause trouble.”

Her new song, “The Cure,” has a great quality to it, and Gaga dropped the bomb at the end of the show that the song is available on iTunes

Lady Gaga – The Cure  

Gaga doesn’t stop, as all night long she ran the stage and glided through several costume changes that ranged from leather Berlin to multicolor go-go pants to glittery black Malibu-like bikini and mesh.

She wrapped the show with “Bad Romance” and told the loving audience that she and most of the dancers on the stage have been together 10 years but never played Coachella because they were always too busy touring. She made up for it Saturday night. On to next weekend.

Coachella Releases Set Times for Weekend One: Duelling Headliners Will Mess With Your Mind

By JOHN DALY

Coachella Weekend One has released the set times and don’t expect Weekend 2 to be too much different. Here’s the skinny:

 

 

Metallica and Lady Gaga Get it Right at the Dress Rehearsal for 59th Annual GRAMMY Awards

Check out Metallica and Lady Gaga in dress rehearsal for the 59th annual GRAMMY Awards as released on Lady Gaga’s YouTube channel:

 

Lady Gaga to Headline Coachella in Place of Beyonce, Promoter Says Festival Site Hacked

Photo by PHILIP NELSON, Story By DONNA BALANCIA

Lady Gaga will replace Beyonce for both weekends at Coachella but the good news comes amidst reports that the Coachella website was hacked.

Lady Gaga stepping into Beyonce's sandals for Coachella - Photo by Eva Rinaldi

Lady Gaga stepping into Beyonce’s sandals for Coachella – Photo by Eva Rinaldi

Some 950,000 accounts related to the concert were cracked with email addresses, passwords and other information stolen, it was reported by Motherboard.vice.com.

Supposedly no financial  information was taken, but Coachella has not confirmed any hacking reports.

Meanwhile Lady Gaga has stepped in as Coachella headliner, replacing the pregnant Beyonce, who pulled out last week on doctor’s orders.

In headlining on April 15 and 22 at the Empire Polo Grounds in Indio, Gaga joins a knockout lineup including Kendrick Lamar, Radiohead, Bon Iver and Lorde. Gaga will squeeze the two-weekend headline appearance into her 2017 tour schedule.

Gaga’s Joanne World Tour includes three nights at the Forum (Aug. 8, Aug. 9 and Dec. 18), two nights in Las Vegas (Aug. 11, Dec. 16) and one night in Sacramento (Aug. 15)

Lady Gaga has several California dates on 2017 tour - Photo by Kim Kagami

Lady Gaga has several California dates on 2017 tour – Photo by Kim Kagami

Gaga is coming fresh off her Super Bowl halftime show and a fabulous performance with Metallica at the GRAMMYs.  She’s a GRAMMY winner, a Golden Globe winner, and she was nominated for an Academy Award.  She’s sold 30 million albums and achieved 150 million single sales.

On social media she has more than 61 million likes on Facebook, more than 65 million followers on Twitter and more than 21 million followers on Instagram.

Gaga’s latest album, Joanne, was recently released and it went straight to the top of the charts.

She’s set to star opposite Bradley Cooper in a remake of “A Star is Born,” expected to be released in 2018.

Lady Gaga and Metallica Overcome Glitches to Steal the Show at the 59th Annual GRAMMY Awards

By DONNA BALANCIA

David Bowie and Adele were the big winners of the night and Lady Gaga teamed for a wild duet with Metallica at the 59th annual GRAMMY Awards Sunday night.

It was an unusual show, highlighted by strong if not uneven performances as evidenced by Adele’s George Michael tribute that false started — and then restarted — so she could get it right.

Adele is a multiple GRAMMY nominee - Photo by Janine

Adele is a five-time GRAMMY nominee and five-time winner this year – Photo by Janine

Clumsy Comedy by James Corden

The show kicked off with a peculiar mix of clumsy comedy and great music as host James Corden followed Adele’s flawless opener performance of “Hello,” by falling down the stairs to the stage.

21 Pilots took their pants off and told this story: “This story starts in Columbus, it was a few years ago before Josh and I were able to make money making music. I called him up to come over to grandma’s house watch the GRAMMYs and as I looked around I noticed everyone was in their underwear. We said, ‘If we go to the GRAMMYs, or ever win it, we should receive it just like this.’ Not only is this amazing, but I want people watching everywhere to know they could be next. ”

The late David Bowie won five GRAMMYs - Photo courtesy Jimmy King

The late David Bowie won five GRAMMYs – Photo courtesy Jimmy King

Pregnant Beyonce Performs

And a pregnant Beyonce stunned the audience with a slow and technologically enhanced performance of songs “Love Drought” and “Sandcastles” from Lemonade. While some criticized the performance, the audience gave Beyonce a standing ovation and her adoring husband Jay Z applauded affectionately.

Katy Perry introduced her song “Chained to the Rythm” an apparent political statement as her normally colorful set was subdued black and white.

But the props of the night go Lady Gaga and Metallica who put on a firey performance despite James Hetfield’s mic blowing out.  Gaga showed she could do Ultimate Jam Night at the Whisky A Go-Go as she can hold her own against any metal performer. She wrapped her frontwoman duties with a stage dive into the audience.  Later in the night, Metallica played the Palladium in Hollywood.

Bowie’s Blackstar won five awards, and that tied with Adele, who swept all five categories in which she was nominated.  Drake and Lalah Hathaway each took two statuettes.

The band 21 Pilots weren’t the only newcomers to take home a statuette. The Chainsmokers won for Best Dance Recording, Maren Morris won Best Country Solo Performance for “My Church,” and Cage The Elephant took home Best Rock Album.

Chance the Rapper accepts the Best New Artist artist award onstage during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. Photo courtesy GRAMMY.org

Chance the Rapper accepts the Best New Artist artist award onstage during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. Photo courtesy GRAMMY.org

Chance The Rapper

Chance the Rapper, who won the first award of the main show — it was the second GRAMMY of the day for him — seemed at a loss for words. When he won Best Rap Album, he had been sporting a hat with the number 3 on it. Chance the Rapper is the first recording artist to win a GRAMMY that was distributed through streaming. Drake took home two awards.

Paris Jackson, who appeared in good spirits following her bombshell accusations that her father Michael Jackson was murdered, introduced a notable duet betwen The Weeknd with Daft Punk “I Feel It Coming.”

By comparison to all the other acts, Ed Sheeran exemplified the state of music affairs today by performing solo with his looper pedals and guitar, singing “I’m in Love With Your Body.”

 

 

A Prince Tribute, The Red Carpet and Metallica Duet With Lady Gaga To Highlight 2017 GRAMMYs

By JOHN DALY

James Corden hosts an ambitious GRAMMY broadcast this year, with highlights of the show including a Prince Tribute and a duet by Lady Gaga with Metallica.

“Prince is living through all of us and there’s not a day that goes by that his influence on us isn’t out there,” said Jimmy Jam, who with Morris Day, form The Time. “So this is for him our performance is something we know he would enjoy. We know he’s gonna have a good time because we’re gonna have a good time. And that’s just a reminder of how he is in everybody’s life. We’re going to celebrate.”

Morris Day and Jimmy Jam anticipate a great tribute to Prince - Photo courtesy GRAMMY.org

Morris Day and Jimmy Jam anticipate a great tribute to Prince – Photo courtesy GRAMMY.org

Robert Trujillo and Kirk Hammett of Metallica said their collaboration with Lady Gaga is going well.

“You know how the GRAMMYs have their duets thing, so when it was suggested that Lady Gaga do it,  I thought ‘That’s interesting,'” Hammett said. But when she came to work with us on the song last night it turned out really reaally really well. She was really open and willing to work with different arrangements and see what worked well over the course of the song.”

Robert Trujillo and Kirk Hammett - Photo courtesy of GRAMMY.org

Robert Trujillo and Kirk Hammett – Photo courtesy of GRAMMY.org

“She has a lot of edge and attitude which is important for what we do,” said Trujillo. “She actually came to see us play, we did a small show, at the Henry Fonda Theatre, she saw the whole show, stayed for it, enjoyed it, she started rockin’ out and magically this all started happening.

Ultimate-Guitar.com discovered a tweet from producer Northern Lights that indicated the duet of Lady Gaga and Metallica would  perform “Moth Into Flame.”

The GRAMMY Awards broadcast begins at 8 P.M. ET/ 5 P.M. PT on CBS.

 

The GRAMMY Awards Nominations List Includes Surprises, Young Performers and Music Legends

List of GRAMMY AWARDS NOMINATIONS 2017

In case you forgot which of your favorite performers, producers and musicians are up for GRAMMY Awards this year, here is the nominations list.

The 59th annual GRAMMY Awards will kick off at 5 PM PT, 8 PM ET on Sunday, with red carpet beginning two hours earlier and parties lasting well into the late night.

The 59th annual GRAMMY Awards will be held at the Microsoft Theater LA Live

The 59th annual GRAMMY Awards will be held at the Microsoft Theater LA Live

 

Album of the year:

“25” — Adele

“Lemonade” — Beyoncé

“Purpose” — Justin Bieber

“Views” — Drake

“A Sailor’s Guide to Earth” — Sturgill Simpson

 

Record of the year:

“Hello” — Adele

“Formation” — Beyoncé

“7 Years” — Lukas Graham

“Work” — Rihanna featuring Drake

“Stressed Out” — Twenty One Pilots

 

Song of the year:

“Formation” — Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)

“Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele)

“I Took a Pill In Ibiza” — Mike Posner, songwriter (Mike Posner)

“Love Yourself” — Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)

“7 Years” — Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)

 

Best new artist:

Kelsea Ballerini

The Chainsmokers

Chance the Rapper

Maren Morris

Anderson .Paak

 

Best pop vocal album:

“25” — Adele

“Purpose” — Justin Bieber

“Dangerous Woman” — Ariana Grande

“Confident” — Demi Lovato

“This Is Acting” — Sia

 

Best dance/electronic album:

“Skin” — Flume

“Electronica 1: The Time Machine” — Jean-Michel Jarre

“Epoch” — Tycho

“Barbara Barbara, We Face a Shining Future” — Underworld

“Louie Vega Starring…XXVIII” — Louie Vega

 

Best rock album:

“California” — Blink-182

“Tell Me I’m Pretty” — Cage the Elephant

“Magma” — Gojira

“Death of a Bachelor” — Panic! at the Disco

“Weezer” — Weezer

 

Best alternative music album:

“22, a Million” — Bon Iver

“Blackstar” — David Bowie

“The Hope Six Demolition Project” — PJ Harvey

“Post Pop Depression” — Iggy Pop

“A Moon Shaped Pool” — Radiohead

 

Best urban contemporary album:

“Lemonade” — Beyoncé

“Ology” — Gallant

“We Are King” — King

“Malibu” — Anderson .Paak

“Anti” — Rihanna

 

Best rap performance:

“No Problem” — Chance the Rapper featuring Lil Wayne & 2 Chainz

“Panda” — Desiigner

“Pop Style” — Drake Featuring the Throne

“All the Way Up” — Fat Joe & Remy Ma featuring French Montana & Infared

“That Part” — Schoolboy Q featuring Kanye West

 

Best country solo performance:

“Love Can Go to Hell” — Brandy Clark

“Vice” — Miranda Lambert

“My Church” — Maren Morris

“Church Bells” — Carrie Underwood

“Blue Ain’t Your Color” — Keith Urban

 

Best jazz vocal album:

“Sound of Red” — René Marie

“Upward Spiral” — Branford Marsalis Quartet With Special Guest Kurt Elling

“Take Me to the Alley” — Gregory Porter

“Harlem On My Mind” — Catherine Russell

“The Sting Variations” — The Tierney Sutton Band

 

Best gospel album:

“Listen” —Tim Bowman Jr.

“Fill This House” — Shirley Caesar

“A Worshipper’s Heart [Live]” — Todd Dulaney

“Losing My Religion” — Kirk Franklin

“Demonstrate [Live]” — William Murphy

 

Best contemporary Christian music album:

“Poets & Saints” — All Sons & Daughters

“American Prodigal” — Crowder

“Be One” — Natalie Grant

“Youth Revival [Live]” — Hillsong Young & Free

“Love Remains” — Hillary Scott & the Scott Family

 

Best Latin pop album:

“Un Besito Mas” — Jesse & Joy

“Ilusión” — Gaby Moreno

“Similares” — Laura Pausini

“Seguir Latiendo” — Sanalejo

“Buena Vida” — Diego Torres

 

Best American roots performance:

“Ain’t No Man” — The Avett Brothers

“Mother’s Children Have a Hard Time” — Blind Boys of Alabama

“Factory Girl” — Rhiannon Giddens

“House of Mercy” — Sarah Jarosz

“Wreck You” — Lori McKenna

 

Best spoken word album (includes poetry, audio books & storytelling):

“The Girl With the Lower Back Tattoo” — Amy Schumer

“In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In the Sandbox” — Carol Burnett

“M Train” — Patti Smith

“Under the Big Black Sun: A Personal History Of L.A. Punk (John Doe With Tom DeSavia)” — (Various Artists)

“Unfaithful Music & Disappearing Ink” — Elvis Costello

 

Best song written for visual media:

“Can’t Stop the Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar). Track from: “Trolls”

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots). Track from: “Suicide Squad”

“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk). Track from: “Alice Through the Looking Glass”

“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross ). Track from: “Suicide Squad”

“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira) Track from: “Zootopia”

“The Veil” — Peter Gabriel, songwriter (Peter Gabriel). Track from: “Snowden”

 

Best music video:

“Formation” — Beyoncé

“River” — Leon Bridges

“Up & Up” — Coldplay

“Gosh” — Jamie XX

“Upside Down & Inside Out” — OK Go

 

Producer of the year, non-classical:

Benny Blanco

Greg Kurstin

Max Martin

Nineteen85

Ricky Reed

 

Best pop duo/group performance

“Closer” — The Chainsmokers featuring Halsey

“7 Years” — Lukas Graham

“Work” — Rihanna featuring Drake

“Cheap Thrills” — Sia Featuring Sean Paul

“Stressed Out” — Twenty One Pilots

“Culcha Vulcha” — Snarky Puppy

 

Best rock performance

“Joe (Live From Austin City Limits)” — Alabama Shakes

“Don’t Hurt Yourself” — Beyoncé featuring Jack White

“Blackstar” — David Bowie

“The Sound of Silence (Live On Conan)” — Disturbed

“Heathens” — Twenty One Pilots

 

Best metal performance

“Shock Me” — Baroness

“Silvera” — Gojira

“Rotting In Vain” — Korn

“Dystopia” — Megadeth

“The Price Is Wrong” — Periphery

 

Best rock song

“Blackstar” — David Bowie, songwriter (David Bowie)

“Burn the Witch” — Radiohead, songwriters (Radiohead)

“Hardwired” — James Hetfield & Lars Ulrich, songwriters (Metallica)

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots)

“My Name Is Human” — Rich Meyer, Ryan Meyer & Johnny Stevens, songwriters (Highly Suspect)

 

Best rock album

“California” — Blink-182

“Tell Me I’m Pretty” — Cage the Elephant

“Magma” — Gojira

“Death of a Bachelor” — Panic! at the Disco

“Weezer” — Weezer

 

Best alternative music album

“22, a Million” — Bon Iver

“Blackstar” — David Bowie

“The Hope Six Demolition Project” — PJ Harvey

“Post Pop Depression” — Iggy Pop

“A Moon Shaped Pool” — Radiohead

 

Best R&B performance

“Turnin’ Me Up” — BJ the Chicago Kid

“Permission” — Ro James

“I Do” — Musiq Soulchild

“Needed Me” — Rihanna

“Cranes In the Sky” — Solange

 

Best traditional R&B performance

“The Three Of Me” — William Bell

“Woman’s World” — BJ the Chicago Kid

“Sleeping With the One I Love” — Fantasia

“Angel” — Lalah Hathaway

“Can’t Wait” — Jill Scott

 

Best R&B song

“Come See Me” — J. Brathwaite, Aubrey Graham & Noah Shebib, songwriters (PartyNextDoor featuring Drake)

“Exchange” — Michael Hernandez & Bryson Tiller, songwriters (Bryson Tiller)

“Kiss It Better” — Jeff Bhasker, Robyn Fenty, John-Nathan Glass & Natalia Noemi, songwriters (Rihanna)

“Lake by the Ocean” — Hod David & Musze, songwriters (Maxwell)

“Luv” — Magnus August Høiberg, Benjamin Levin & Daystar Peterson, songwriters (Tory Lanez)

 

Best urban contemporary album

“Lemonade” — Beyoncé

“Ology” — Gallant

“We Are King” — King

“Malibu” — Anderson .Paak

“Anti” — Rihanna

 

Best R&B album

“In My Mind” — BJ the Chicago Kid

“Lalah Hathaway Live” — Lalah Hathaway

“Velvet Portraits” — Terrace Martin

“Healing Season” — Mint Condition

“Smoove Jones” — Mya

 

Best rap performance

“No Problem” — Chance the Rapper featuring Lil Wayne & 2 Chainz

“Panda” — Desiigner

“Pop Style” — Drake featuring the Throne

“All the Way Up” — Fat Joe & Remy Ma featuring French Montana & Infared

“That Part” — Schoolboy Q featuring Kanye West

 

Best rap/sung performance

“Freedom” — Beyoncé featuring Kendrick Lamar

“Hotline Bling” — Drake

“Broccoli” — D.R.A.M. featuring Lil Yachty

“Ultralight Beam” — Kanye West featuring Chance the Rapper, Kelly Price, Kirk Franklin & the-Dream

“Famous” — Kanye West featuring Rihanna

 

Best rap song

“All the Way Up” — Joseph Cartagena, Edward Davadi, Shandel Green, Karim Kharbouch, Andre Christopher Lyon, Reminisce Mackie & Marcello Valenzano, songwriters (Fat Joe & Remy Ma featuring French Montana & Infared)

“Famous” — Chancelor Bennett, Ross Birchard, Ernest Brown, Andrew Dawson, Kasseem Dean, Mike Dean, Noah Goldstein, Kejuan Muchita, Patrick Reynolds, Kanye West & Cydel Young, songwriters (Kanye West featuring Rihanna)

“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake)

“No Problem” — Chancelor Bennett, Dwayne Carter & Tauheed Epps, songwriters (Chance the Rapper featuring Lil Wayne & 2 Chainz)

“Ultralight Beam” — Chancelor Bennett, Kasseem Dean, Mike Dean, Kirk Franklin, Noah Goldstein, Samuel Griesemer, Terius Nash, Jerome Potter, Kelly Price, Nico “Donnie Trumpet” Segal, Derek Watkins, Kanye West & Cydel Young, songwriters (Kanye West featuring Chance the Rapper, Kelly Price, Kirk Franklin & the-Dream)

 

Best rap album

“Coloring Book” — Chance the Rapper

“And the Anonymous Nobody” — De La Soul

“Major Key” — DJ Khaled

“Views” — Drake

“Blank Face LP” — Schoolboy Q

“The Life of Pablo” — Kanye West

 

Best country solo performance

“Love Can Go to Hell” — Brandy Clark

“Vice” — Miranda Lambert

“My Church” — Maren Morris

“Church Bells” — Carrie Underwood

“Blue Ain’t Your Color” — Keith Urban

 

Best country duo/group performance

“Different For Girls” — Dierks Bentley featuring Elle King

“21 Summer” — Brothers Osborne

“Setting the World On Fire” — Kenny Chesney & P!nk

“Jolene” — Pentatonix featuring Dolly Parton

“Think of You” — Chris Young With Cassadee Pope

 

Best country song

“Blue Ain’t Your Color” — Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen, songwriters (Keith Urban)

“Die a Happy Man” — Sean Douglas, Thomas Rhett & Joe Spargur, songwriters (Thomas Rhett)

“Humble and Kind” — Lori McKenna, songwriter (Tim McGraw)

“My Church” — busbee & Maren Morris, songwriters (Maren Morris)

“Vice” — Miranda Lambert, Shane McAnally & Josh Osborne, songwriters (Miranda Lambert)

 

Best country album

“Big Day In a Small Town” — Brandy Clark

“Full Circle” — Loretta Lynn

“Hero” — Maren Morris

“A Sailor’s Guide to Earth” — Sturgill Simpson

“Ripcord” — Keith Urban

 

Best New Age album

“Orogen” — John Burke

“Dark Sky Island” — Enya

“Inner Passion” — Peter Kater & Tina Guo

“Rosetta” — Vangelis

“White Sun II” – White Sun

 

Best improvised jazz solo

“Countdown” — Joey Alexander, soloist

“In Movement” — Ravi Coltrane, soloist

“We See” — Fred Hersch, soloist

“I Concentrate On You” — Brad Mehldau, soloist

“I’m So Lonesome I Could Cry” — John Scofield, soloist

 

Best jazz vocal album

“Sound of Red” — René Marie

“Upward Spiral” — Branford Marsalis Quartet With Special Guest Kurt Elling

“Take Me to the Alley” — Gregory Porter

“Harlem On My Mind” — Catherine Russell

“The Sting Variations” — The Tierney Sutton Band

 

Best jazz instrumental album

“Book of Intuition” — Kenny Barron Trio

“Dr. Um” — Peter Erskine

“Sunday Night at the Vanguard” — The Fred Hersch Trio

“Nearness” — Joshua Redman & Brad Mehldau

“Country For Old Men” — John Scofield

 

Best large jazz ensemble album

“Real Enemies” — Darcy James Argue’s Secret Society

“Presents Monk’estra, Vol. 1” — John Beasley

“Kaleidoscope Eyes: Music of the Beatles” — John Daversa

“All L.A. Band” — Bob Mintzer

“Presidential Suite: Eight Variations On Freedom” — Ted Nash Big Band

 

Best Latin jazz album

“Entre Colegas” — Andy González

“Madera Latino: A Latin Jazz Perspective on the Music of Woody Shaw” — Brian Lynch & Various Artists

“Canto América” — Michael Spiro/Wayne Wallace La Orquesta Sinfonietta

“30” — Trio Da Paz

“Tribute to Irakere: Live In Marciac” — Chucho Valdés

 

Best gospel performance/song

“It’s Alright, It’s OK” — Shirley Caesar featuring Anthony Hamilton

“You’re Bigger [Live]” — Jekalyn Carr

“Made A Way [Live]” — Travis Greene

“God Provides” — Tamela Mann

“Better” — Hezekiah Walker

 

Best contemporary Christian music performance/song

“Trust In You” — Lauren Daigle

“Priceless” — For King & Country

“King of the World” — Natalie Grant

“Thy Will” — Hillary Scott & the Scott Family

“Chain Breaker” — Zach Williams

 

Best gospel album

“Listen” — Tim Bowman Jr.

“Fill This House” — Shirley Caesar

“A Worshipper’s Heart [Live]” — Todd Dulaney

“Losing My Religion” — Kirk Franklin

“Demonstrate [Live]” — William Murphy

 

Best contemporary Christian music album

“Poets & Saints” — All Sons & Daughters

“American Prodigal” — Crowder

“Be One” — Natalie Grant

“Youth Revival [Live]” — Hillsong Young & Free

“Love Remains” — Hillary Scott & the Scott Family

 

Best roots gospel album

“Better Together” — Gaither Vocal Band

“Nature’s Symphony In 432” — The Isaacs

“Hymns” — Joey+Rory

“Hymns and Songs of Inspiration” — Gordon Mote

“God Don’t Never Change: The Songs of Blind Willie Johnson” — (Various Artists)

 

Best Latin pop album

“Un Besito Mas” — Jesse & Joy

“Ilusión” — Gaby Moreno

“Similares” — Laura Pausini

“Seguir Latiendo” — Sanalejo

“Buena Vida” — Diego Torres

 

Best Latin rock, urban or alternative album

“ilevitable” — ile

“L.H.O.N. (La Humanidad O Nosotros)” — Illya Kuryaki & the Valderamas

“Buenaventura” — La Santa Cecilia

“Los Rakas” — Los Rakas

“Amor Supremo” — Carla Morrison

 

Best regional Mexican music album (including Tejano)

“Raíces” — Banda El Recodo De Cruz Lizárraga

“Hecho A Mano” — Joss Favela

“Un Azteca En El Azteca, Vol. 1 (En Vivo)” — Vicente Fernández

“Generación Maquinaria Est. 2006.” — La Maquinaria Norteña

“Tributo A Joan Sebastian Y Rigoberto Alfaro” — Mariachi Divas De Cindy Shea

 

Best tropical Latin album

“Conexión” — Fonseca

“La Fantasia Homenaje A Juan Formell” — Formell Y Los Van Van

“35 Aniversario” — Grupo Niche

“La Sonora Santanera En Su 60 Aniversario” — La Sonora Santanera

“Donde Están?” — Jose Lugo & Guasábara Combo

 

Best American roots performance

“Ain’t No Man” — The Avett Brothers

“Mother’s Children Have a Hard Time” — Blind Boys of Alabama

“Factory Girl” — Rhiannon Giddens

“House of Mercy” — Sarah Jarosz

“Wreck You” — Lori McKenna

 

American roots music

“Alabama at Night” — Robbie Fulks

“City Lights” — Jack White

“Gulfstream” — Roddie Romero and the Hub City All-Stars

“Kid Sister” — The Time Jumpers

“Wreck You” — Lori McKenna

 

Best Americana album

“True Sadness” — The Avett Brothers

“This Is Where I Live” — William Bell

“The Cedar Creek Sessions” — Kris Kristofferson

“The Bird & the Rifle” — Lori McKenna

“Kid Sister” — The Time Jumpers

 

Best bluegrass album

“Original Traditional” — Blue Highway

“Burden Bearer” — Doyle Lawson & Quicksilver

“The Hazel and Alice Sessions” — Laurie Lewis & the Right Hands

“North By South” — Claire Lynch

“Coming Home” — O’Connor Band With Mark O’Connor

 

Best traditional blues album

“Can’t Shake This Feeling” — Lurrie Bell

“Live at the Greek Theatre” — Joe Bonamassa

“Blues & Ballads (A Folksinger’s Songbook: Volumes I & II)” — Luther Dickinson

“The Soul of Jimmie Rodgers” — Vasti Jackson

“Porcupine Meat” — Bobby Rush

 

Best contemporary blues album

“The Last Days of Oakland” — Fantastic Negrito

“Love Wins Again” — Janiva Magness

“Bloodline” — Kenny Neal

“Give It Back to You” — The Record Company

“Everybody Wants a Piece” — Joe Louis Walker

 

Best folk album

“Silver Skies Blue” — Judy Collins & Ari Hest

“Upland Stories” — Robbie Fulks

“Factory Girl” — Rhiannon Giddens

“Weighted Mind” — Sierra Hull

“Undercurrent” — Sarah Jarosz

 

Best regional roots music album

“Broken Promised Land” — Barry Jean Ancelet & Sam Broussard

“It’s a Cree Thing” — Northern Cree

“E Walea” — Kalani Pe’a

“Gulfstream” — Roddie Romero and the Hub City All-Stars

“I Wanna Sing Right: Rediscovering Lomax In the Evangeline Country” —  (Various Artists)

 

Best reggae album

“Sly & Robbie Presents … Reggae For Her” — Devin Di Dakta & J.L

“Rose Petals” — J Boog

“Ziggy Marley” — Ziggy Marley

“Everlasting” — Raging Fyah

“Falling Into Place” — Rebelution

“SOJA: Live In Virginia” — SOJA

 

Best world music album

“Destiny” — Celtic Woman

“Walking In the Footsteps Of Our Fathers” — Ladysmith Black Mambazo

“Sing Me Home” — Yo-Yo Ma & the Silk Road Ensemble

“Land Of Gold” — Anoushka Shankar

“Dois Amigos, Um Século De Música: Multishow Live” — Caetano Veloso & Gilberto Gil

 

Best children’s album

“Explorer Of the World” — Frances England

“Infinity Plus One” — Secret Agent 23 Skidoo

“Novelties” — Recess Monkey

“Press Play” — Brady Rymer and the Little Band That Could

“Saddle Up” — The Okee Dokee Brothers

 

Best comedy album

“… America … Great …” — David Cross

“American Myth” — Margaret Cho

“Boyish Girl Interrupted” — Tig Notaro

“Live at the Apollo” — Amy Schumer

“Talking For Clapping” — Patton Oswalt

 

Best musical theater album

“Bright Star”

“The Color Purple”

“Fiddler On the Roof”

“Kinky Boots”

“Waitress”

 

Best compilation soundtrack for visual media

“Amy” (Various Artists)

“Miles Ahead” (Miles Davis & Various Artists)

“Straight Outta Compton” (Various Artists)

“Suicide Squad” (Collector’s Edition) (Various Artists)

“Vinyl: The Essentials Season 1″ (Various Artists)

 

Best score soundtrack for visual media

“Bridge of Spies” — Thomas Newman, composer

“Quentin Tarantino’s the Hateful Eight” — Ennio Morricone, composer

“The Revenant” — Alva Noto & Ryuichi Sakamoto, composers

“Star Wars: The Force Awakens” — John Williams, composer

“Stranger Things Volume 1″ — Kyle Dixon & Michael Stein, composers

“Stranger Things Volume 2” — Kyle Dixon & Michael Stein, composers

 

Best song written for visual media

“Can’t Stop the Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar)

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots)

“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk)

“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross)

“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira)

“The Veil” — Peter Gabriel, songwriter (Peter Gabriel)

 

Best instrumental composition

“Bridge of Spies (End Title)” — Thomas Newman, composer

“The Expensive Train Set (An Epic Sarahnade For Double Big Band)” — Tim Davies, composer

“Flow” — Alan Ferber, composer

“L’Ultima Diligenza Di Red Rock”  Versione Integrale — Ennio Morricone, composer

“Spoken at Midnight” — Ted Nash, composer

 

Best arrangement, instrumental or a cappella

“Ask Me Now” — John Beasley, arranger

“Good Swing Wenceslas” — Sammy Nestico, arranger

“Linus & Lucy” — Christian Jacob, arranger

“Lucy In the Sky With Diamonds” — John Daversa, arranger

“We Three Kings” — Ted Nash, arranger

“You And I” — Jacob Collier, arrange

 

Best arrangement, instruments and vocals

“Do You Hear What I Hear?” — Gordon Goodwin, arranger (Gordon Goodwin’s Big Phat Band Featuring Take 6)

“Do You Want To Know a Secret” — John Daversa, arranger (John Daversa Featuring Renee Olstead)

“Flintstones” — Jacob Collier, arranger (Jacob Collier)

“I’m a Fool to Want You” — Alan Broadbent, arranger (Kristin Chenoweth)

“Somewhere (Dirty Blvd)” (Extended Version) — Billy Childs & Larry Klein, arrangers (Lang Lang Featuring Lisa Fischer & Jeffrey Wright )

 

Best recording package

“Anti” (Deluxe Edition) — Ciarra Pardo & Robyn Fenty, art directors (Rihanna)

“Blackstar” — Jonathan Barnbrook, art director (David Bowie)

“Human Performance” — Andrew Savage, art director (Parquet Courts)

“Sunset Motel” — Sarah Dodds & Shauna Dodds, art directors (Reckless Kelly)

“22, A Million” — Eric Timothy Carlson, art director (Bon Iver)

 

Best boxed or special limited edition package

“Edith Piaf 1915-2015” — Gérard Lo Monaco, art director (Edith Piaf)

“401 Days” — Jonathan Dagan & Mathias Høst Normark, art directors (J.Views)

“I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It” (Box Set) — Samuel Burgess-Johnson & Matthew Healy, art directors (The 1975)

“Paper Wheels” (Deluxe Limited Edition) — Matt Taylor, art director (Trey Anastasio)

“Tug of War” (Deluxe Edition) — Simon Earith & James Musgrave, art directors (Paul McCartney)

 

Best album notes

“The Complete Monument & Columbia Albums Collection” — Mikal Gilmore, album notes writer (Kris Kristofferson)

“The Knoxville Sessions, 1929-1930: Knox County Stomp” — Ted Olson & Tony Russell, album notes writers (Various Artists)

“Ork Records: New York, New York” — Rob Sevier & Ken Shipley, album notes writers (Various Artists)

“Sissle and Blake Sing Shuffle Along” — Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle)

“Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900” — Richard Martin, album notes writer (Various Artists)

 

Best historical album

“The Cutting Edge 1965-1966: The Bootleg Series, Vol.12” (Collector’s Edition) (Bob Dylan)

“Music Of Morocco From the Library of Congress: Recorded By Paul Bowles, 1959” (Various Artists)

“Ork Records: New York, New York” (Various Artists)

“Vladimir Horowitz: The Unreleased Live Recordings 1966-1983” (Vladimir Horowitz)

“Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900” (Various Artists)

 

Best engineered album, non-classical

“Are You Serious” — Tchad Blake & David Boucher, engineers; Bob Ludwig, mastering engineer (Andrew Bird)

“Blackstar” — David Bowie, Tom Elmhirst, Kevin Killen & Tony Visconti, engineers; Joe LaPorta, mastering engineer (David Bowie)

“Dig In Deep” — Ryan Freeland, engineer; Kim Rosen, mastering engineer (Bonnie Raitt)

“Hit N Run Phase Two” — Booker T., Dylan Dresdow, Chris James, Prince & Justin Stanley, engineers; Dylan Dresdow, mastering engineer (Prince)

“Undercurrent” — Shani Gandhi & Gary Paczosa, engineers; Paul Blakemore, mastering engineer (Sarah Jarosz)

 

Producer of the year, non-classical

Benny Blanco

Greg Kurstin

Max Martin

Nineteen85

Ricky Reed

 

Best remixed recording

“Cali Coast” (Psionics Remix) — Josh Williams, remixer (Soul Pacific)

“Heavy Star Movin’” (staRo Remix) — staRo, remixer (The Silver Lake Chorus)

“Nineteen Hundred Eighty-Five” (Timo Maas & James Teej Remix) — Timo Maas & James Teej, remixers (Paul McCartney & Wings)

“Only” (Kaskade x Lipless Remix) — Ryan Raddon, remixer (Ry X)

“Tearing Me Up” (RAC Remix) — André Allen Anjos, remixer (Bob Moses)

“Wide Open” (Joe Goddard Remix) — Joe Goddard, remixer (The Chemical Brothers)

 

Best surround sound album

“Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’instant & Timbres, Espace, Mouvement” — Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony)

“Johnson: Considering Matthew Shepard” — Brad Michel, surround mix engineer; Brad Michel, surround mastering engineer; Robina G. Young, surround producer (Craig Hella Johnson & Conspirare)

“Maja S.K. Ratkje: And Sing …” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Maja S.K. Ratkje, Cikada & Oslo Sinfonietta)

“Primus & the Chocolate Factory” (5.1 Surround Sound Edition) — Les Claypool, surround mix engineer; Stephen Marcussen, surround mastering engineer; Les Claypool, surround producer (Primus)

“Reflections” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene)

 

Best engineered album, classical

“Corigliano: The Ghosts of Versailles” — Mark Donahue & Fred Vogler, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra)

“Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’Instant & Timbres, Espace, Mouvement” — Alexander Lipay & Dmitriy Lipay, engineers (Ludovic Morlot & Seattle Symphony)

“Reflections” — Morten Lindberg, engineer (Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene)

“Shadow of Sirius” — Silas Brown & David Frost, engineers; Silas Brown, mastering engineer (Jerry F. Junkin & the University Of Texas Wind Ensemble)

“Shostakovich: Under Stalin’s Shadow  Symphonies Nos. 5, 8 & 9” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)

 

Producer of the year, classical

Blanton Alspaugh

David Frost

Marina A. Ledin, Victor Ledin

Judith Sherman

Robina G. Young

 

Best orchestral performance

“Bates: Works for Orchestra” — Michael Tilson Thomas, conductor (San Francisco Symphony)

“Ibert: Orchestral Works” — Neeme Järvi, conductor (Orchestre De La Suisse Romande)

“Prokofiev: Symphony No. 5 In B-Flat Major, Op. 100” — Mariss Jansons, conductor (Royal Concertgebouw Orchestra)

“Rouse: Odna Zhizn; Symphonies 3 & 4; Prospero’s Rooms” — Alan Gilbert, conductor (New York Philharmonic)

“Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9” — Andris Nelsons, conductor (Boston Symphony Orchestra)

 

Best opera recording

“Corigliano: The Ghosts of Versailles” — James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus)

“Handel: Giulio Cesare” — Giovanni Antonini, conductor; Cecilia Bartoli, Philippe Jaroussky, Andreas Scholl & Anne-Sofie von Otter; Samuel Theis, producer (Il Giardino Armonico)

“Higdon: Cold Mountain” — Miguel Harth-Bedoya, conductor; Emily Fons, Nathan Gunn, Isabel Leonard & Jay Hunter Morris; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra; Santa Fe Opera Apprentice Program for Singers)

“Mozart: Le Nozze Di Figaro” — Yannick Nézet-Séguin, conductor; Thomas Hampson, Christiane Karg, Luca Pisaroni & Sonya Yoncheva; Daniel Zalay, producer (Chamber Orchestra of Europe; Vocalensemble Rastatt)

“Szymanowski: Król Roger” — Antonio Pappano, conductor; Georgia Jarman, Mariusz Kwiecień & Saimir Pirgu; Jonathan Allen, producer (Orchestra of the Royal Opera House; Royal Opera Chorus)

 

Best choral performance

“Himmelrand” — Elisabeth Holte, conductor (Marianne Reidarsdatter Eriksen, Ragnfrid Lie & Matilda Sterby; Inger-Lise Ulsrud; Uranienborg Vokalensemble)

“Janáček: Glagolitic Mass” — Edward Gardner, conductor; Håkon Matti Skrede, chorus master (Susan Bickley, Gábor Bretz, Sara Jakubiak & Stuart Skelton; Thomas Trotter; Bergen Philharmonic Orchestra; Bergen Cathedral Choir, Bergen Philharmonic Choir, Choir of Collegium Musicum & Edvard Grieg Kor)

“Lloyd: Bonhoeffer” — Donald Nally, conductor (Malavika Godbole, John Grecia, Rebecca Harris & Thomas Mesa; the Crossing)

“Penderecki Conducts Penderecki, Volume 1” — Krzysztof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir)

“Steinberg: Passion Week” — Steven Fox, conductor (The Clarion Choir)

 

Best chamber music/small ensemble performance

“Fitelberg: Chamber Works” — ARC Ensemble

“Reflections” — Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene

“Serious Business” — Spektral Quartet

“Steve Reich” — Third Coast Percussion

“Trios From Our Homelands” — Lincoln Trio

 

Best classical instrumental solo

“Adams, J.: Scheherazade.2” — Leila Josefowicz; David Robertson, conductor (Chester Englander; St. Louis Symphony)

“Daugherty: Tales of Hemingway” — Zuill Bailey; Giancarlo Guerrero, conductor (Nashville Symphony)

“Dvořák: Violin Concerto & Romance; Suk: Fantasy” — Christian Tetzlaff; John Storgårds, conductor (Helsinki Philharmonic Orchestra)

“Mozart: Keyboard Music, Vols. 8 & 9” – Kristian Bezuidenhout

“1930’s Violin Concertos, Vol. 2” – Gil Shaham; Stéphane Denève, conductor (The Knights & Stuttgart Radio Symphony Orchestra)

 

Best classical solo vocal album

“Monteverdi” — Magdalena Kožená; Andrea Marcon, conductor (David Feldman, Michael Feyfar, Jakob Pilgram & Luca Tittoto; La Cetra Barockorchester Basel)

“Mozart: The Weber Sisters” — Sabine Devieilhe; Raphaël Pichon, conductor (Pygmalion)

“Schumann & Berg” — Dorothea Röschmann; Mitsuko Uchida, accompanist

“Shakespeare Songs” — Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker)

“Verismo” — Anna Netrebko; Antonio Pappano, conductor (Yusif Eyvazov; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia)

 

Best classical compendium

“Daugherty: Tales of Hemingway; American Gothic; Once Upon A Castle” — Giancarlo Guerrero, conductor; Tim Handley, producer

“Gesualdo” — Tõnu Kaljuste, conductor; Manfred Eicher, producer

“Vaughan Williams: Discoveries” — Martyn Brabbins, conductor; Andrew Walton, producer

“Wolfgang: Passing Through” — Judith Farmer & Gernot Wolfgang, producers; (Various Artists)

“Zappa: 200 Motels – The Suites” — Esa-Pekka Salonen, conductor; Frank Filipetti & Gail Zappa, producers

 

Best contemporary classical composition

“Bates: Anthology of Fantastic Zoology” — Mason Bates, composer (Riccardo Muti  & Chicago Symphony Orchestra)

“Daugherty: Tales of Hemingway” — Michael Daugherty, composer (Zuill Bailey, Giancarlo Guerrero & Nashville Symphony)

“Higdon: Cold Mountain” — Jennifer Higdon, composer; Gene Scheer, librettist (Miguel Harth-Bedoya, Jay Hunter Morris, Emily Fons, Isabel Leonard, Nathan Gunn & the Santa Fe Opera)

“Theofanidis: Bassoon Concerto” — Christopher Theofanidis, composer (Martin Kuuskmann, Barry Jekowsky & Northwest Sinfonia)

“Winger: Conversations With Nijinsky” — C. F. Kip Winger, composer (Martin West & San Francisco Ballet Orchestra)

 

Best music video

“Formation” — (Beyoncé) Melina Matsoukas, video director; Nathan Scherrer, video producer

“River” — (Leon Bridges) Miles Jay, video director; Dennis Beier, Allison Kunzman & Saul Levitz, video producers

“Up & Up” — (Coldplay) Vania Heymann & Gal Muggia, video directors; Juliette Larthe & Natan Schottenfels, video producers

“Gosh” — (Jamie XX) Romain Gavras, video director; Iconoclast, video producers

“Upside Down & Inside Out” — (OK Go) Damian Kulash Jr. & Trish Sie, video directors; Melissa Murphy & John O’Grady, video producers

 

Best music film

I’ll Sleep When I’m Dead: Steve Aoki — Justin Krook, video director; Brent Almond, Matt Colon, David Gelb, Ryan Kavanaugh, Happy Walters & Matthew Weaver, video producers

The Beatles: Eight Days a Week the Touring Years —  Ron Howard, video director; Brian Grazer, Ron Howard, Scott Pascucci & Nigel Sinclair, video producers

Lemonade — Beyoncé Knowles Carter & Kahlil Joseph, video directors; Beyoncé Knowles Carter, video producer

The Music of Strangers — Yo-Yo Ma & the Silk Road Ensemble Morgan Neville, video director; Caitrin Rogers, video producer

American Saturday Night: Live From the Grand Ole Opry — George J. Flanigen IV, video director; John Burke & Lindsey Clark, video producers

Lady Gaga Wraps Dive Bar Tour By Crowd-Surfing at Silver Lake’s Favorite Retro Venue, The Satellite

Joanne Singer Gives LA Locals a Big Surprise

Gaga crowd surfs at The Satellite on Thursday - Photo courtesy Lady Gaga

Gaga crowd surfs at The Satellite on Thursday – Photo courtesy Lady Gaga

By DONNA BALANCIA

On Thursday night, Lady Gaga took to crowd surfing at one of Los Angeles’ favorite retro venues: The Satellite.

Fresh off her fun Carpool Karaoke turn with James Corden, the Joanne songstress wrapped her Dive Bar Tour at one of LA’s best concert bars.

Obviously sponsored by Bud Light, the Satellite show was live-streamed on Facebook for fans around the world recorded more than 855,000 views and 73,000 comments.

Crowds lined the streets in Silverlake when Gaga arrived for her hour-long set.

All the while self-streaming her entrance, Gaga, emerged from from a 1950s Cadillac on Silverlake Boulevard, clutching the hands of her dancers.  The backs of their white jackets formed the word Joanne, the name of her new album.

Lady Gaga Performs ‘Joanne’

Lady Gaga emerges from a Cadillac - Photo courtesy Lady Gaga

Lady Gaga emerges from a Cadillac – Photo courtesy Lady Gaga

Lady Gaga walked among the packed crowd and entered opening with “Come to Mama.”  On stage, she peeled off her white jacket, revealing a glittery Hawaiian-style electric blue sparkly outfit with flowers in her hair.

She asked “How’s everybody doing?” and requested Joanne, her guitar.

She then played “A-Yo,” to the delight of the screaming crowd.

“I missed you so much,” she told the crowd. “I’m happy we made it we had car trouble, Elvis loaned me his car for tonight.”

She pulled up a stool and put on a cowboy hat and played a lively version of the electronically influenced “John Wayne.”

After the song, she introduced “Million Reasons,” her captivating and moving hit single with information about the tremendous reach of the song.

Lady Gaga Tells World ‘You are Heard’

Lady Gaga plays the Satellite - Photo courtesy Lady Gaga

Lady Gaga plays the Satellite – Photo courtesy Lady Gaga

“We are really excited to sing this song tonight,” she said. “Are you having a good time? We’re so excited to play this song because right now this is the No. 1 song on iTunes in the United States. We’re so happy, it’s also the No. 1 song in so many countries right now including Saudi Arabia. For everyone who bought that song or who is listening and streaming this song, when I saw that I felt so ‘heard’ today.  And that means if I’m heard that means you’re heard.

“And so I wanted to tell all those women and men who bought that song that I can fckin hear you and every time I sing this song I can hear you in my heart singing with me.”

After the performance she sat on the edge of the stage and took a moment to compose herself.

Gaga then spoke her hopes openly to the crowd before giving an overwhelmingly emotional performance of “Angel Down.”

Lady Gaga expressed hope that election day would go smoothly - Photo courtesy Lady Gaga

Lady Gaga expressed hope that election day would go smoothly – Photo courtesy Lady Gaga

“I wrote this song about people loving each other and taking care of each other. The elections are coming up and I really hope that that is a peaceful day, as much as it can be.  I pray that on that day we all understand that not everyone’s going to vote for the same person. Everybody has different ideas and thoughts and that’s OK, and we don’t have to hate each other for that. What we have to do is come together because there’s a lot of people suffering and there are too many angels down so let’s not focus on the hate let’s focus on who needs the help.”

After a few minutes off stage, Gaga re-emerged wearing a plain white midriff T-shirt and cutoffs with Mark Ronson on guitar and introduced “Joanne,” the title track of her new album.

‘I saw a look in my father’s eyes’

“I missed you so much,” she said referring to her time in the studio and away from her fans. “What I wanted to tell you is this song is so important to me, this is the title track from the album.

Gaga is consoled after song - Photo courtesy Lady Gaga

Gaga is consoled after song – Photo courtesy Lady Gaga

“The thing is when we made this song we just thought it was a beautiful song and we just thought it was an honest song, but after this record came out and everybody heard this music and came to my father’s restaurant in New York, Joanne to celebrate. I saw a look in my father’s eyes I’ve never seen in my life.

“When my father was really young, he lost his sister Joanne, and sometimes I used to wonder if I ever got to meet my real dad.

“Because sometimes things happen that are so hard in your life you die too or a part of you dies.

“And after this record came out I swear that part of my dad came back to life. And I hope that when you hear it when you’re with your families and when you think about the loss you’ve had or the pending loss in your life I hope this song heals you like it healed me and my family.”

Gaga wrapped with “Perfect Illusion” and leapt into the audience and crowd-surfed, then poured a beer over her head. Not a bad time for a Thursday in Silver Lake.

 

GRAMMYs 2016 – Dearly Departed Musicians Upstaged Those Still Here

Full List of Winners Here; Lady Gaga, Hollywood Vampires Mesmerize

Justin Bieber - Photo courtesy of CBS for CaliforniaRocker.com

Justin Bieber – Photo courtesy of CBS for CaliforniaRocker.com

By DONNA BALANCIA – It was a rough year for the music business and the 58th annual GRAMMY Awards reflected that, as dead musicians took the spotlight from today’s performers.

Lady Gaga honored David Bowie; Bonnie Raitt, Chris Stapleton and Gary Clarke Jr. performed in honor of BB King; and The Hollywood Vampires, alias Johnny Depp, Alice Cooper and Joe Perry, played in honor of Lemmy Kilmister.

As for the awards, Taylor Swift, Kendrick Lamar and even Justin Bieber got GRAMMY awards Monday night. And while many may have a hard time with Bieber, we have to admit he has a great voice and he does play guitar.

GRAMMYs: Rigged and Antiquated

CaliforniaRocker.com takes the position that the GRAMMY Awards event is a rigged and antiquated marketing function. The GRAMMY awards are highly irrelevant to 90 percent of aspiring musicians of today.  For established musicians, attending a GRAMMY Awards event and getting on national TV boosts recognition and sales.

Lady Gaga gave a fitting tribute to David Bowie during GRAMMY Awards - Photo courtesy CBS for CaliforniaRocker.com

Lady Gaga gave a fitting tribute to David Bowie during GRAMMY Awards – Photo courtesy CBS for CaliforniaRocker.com

But, big bucks are invested in the GRAMMY Awards. The annual event, and events like it, are important to musical instrument manufacturers who are having a very rough time getting young people to play traditional drums, keyboards and guitar.  The GRAMMYs can put a dream in a kid’s head, a guitar in his or her hands, and money into the empty coffers of today’s music schools.

So the industry props up Taylor Swift, Justin Bieber and all the others, whether they have true talent or not, regardless if autotune is in their DNA, or whether they have truly “made it on their own” or not.

So congrats to the winners.

As for performances, a strong showing of the evening was that of The Hollywood Vampires, who busted their national TV cherry, putting on a tribute to Lemmy Kilmister. This Sunset Strip supergroup is so appealing and influential it could possibly single-handedly keep rock and roll alive.

The music business owes a vote of thanks to Johnny Depp and The Hollywood Vamps who make Rock N Roll Cool - Photo courtesy CBS for CaliforniaRocker.com

The music business owes a vote of thanks to Johnny Depp and The Hollywood Vamps who make Rock N Roll Cool – Photo courtesy CBS for CaliforniaRocker.com

CaliforniaRocker.com covered Johnny Depp’s compelling performance with The New Basement Tapes at The Montalban Theatre; Alice Cooper is an all-time original, whose “School’s Out” was a national anthem, and Joe Perry is pure class. And if we’re going for full disclosure we’re biased because we’re fans of not only outstanding producer Bruce Witkin, who is the bassist in the band, but also his beautiful and creative family.

Gwen Stefani, formerly of The Voice, debuted her single “Make Me Like You” via a high-dollar, one-take, but ultimately cheesy Target ad. Her record bows March 18.

Foo Fighters Still Together?

Foo Fighters, whose existence is in question since their long email note to the fans a few months back indicating they would stop touring, lost out to Alabama Shakes in the best rock performance category. The “wrap it up music” cued not only Alabama Shakes, but others during their acceptance speeches.

Gwen Stefani's Target commercial hit the airwaves during the GRAMMY Awards - Photo © Donna Balancia

Gwen Stefani’s Target commercial hit the airwaves during the GRAMMY Awards – Photo © Donna Balancia

Adele, What Happened?

Adele, whose chart-topping album, 25, was a multimillion seller, had some challenges. She missed the high notes during her performance of “All I Ask,” and the best we can figure is she has the walking pneumonia that’s plagued everyone in LA recently. Extremely talented and appreciated, it wasn’t her night, but she can take comfort weeping into her millions. She blamed a microphone causing a clanging sound. Rihanna canceled her GRAMMY appearance because of that LA flu. Smart move.

For the people who were actually there, it was good to see those who had passed were honored by the likes of Gaga, and Jackson Browne and Joe Walsh.

Browne and Walsh led their version of “Take It Easy” in tribute to Glenn Frey who also passed away a few weeks ago. Gaga, who seems to be every old musician’s favorite pal — she is godmother to Elton John’s children and hangs with Tony Bennett — put on a ripping performance to honor David Bowie through the years.

The Hollywood Vampires - Photo courtesy of CBS for CaliforniaRocker.com

The Hollywood Vampires – Photo courtesy of CBS for CaliforniaRocker.com

Stevie Wonder led the the tribute to Lionel Richie singing “That’s The Way of The World;” his voice is still amazingly clear and he appeared in good nature.  He made a brief but poignant statement on helping to enable people with disabilities.

With fashion, short undergarments with draping skirts were the style of the night (for the gals) as many picked gowns with thigh-high slits or outfits that flashed short shorts. Wonder actually slayed in the fashion department too, wearing camouflage in introducing Song of the Year. For the men, the print shirts and black and white tuxedoes were the flavor this year.

Among those who received a GRAMMY Lifetime Achievement Award was Run DMC. Reverend Run (Joseph Simmons, brother to Russell Simmons) with all his advice and words of wisdom said his story and music was always told from his heart.

Original Wrapper

East Coast Rocker readers remember the night Run DMC warmed up for Lou Reed during his Original Wrapper show at the Capitol Theatre in Pasaic, N.J. and they had a very rough time with the audience. The audience was having none of this rap warm-up band and was calling out “Lou! Lou!” and catcalling “Boo!” while Run DMC was performing and scratching. OK it was 1986.

Mavis-Staples-Photo © Donna Balancia

Mavis-Staples-Photo © Donna Balancia

Speaking of rap, Kendrick Lamar’s performances were spot on and interesting at least, if not costly — and hot! — with fire burning right in the middle of Staples Center.

And lest we forget, a special congrats goes out to the grande dame of rock music, Mavis Staples, who was awarded the American Roots Award.

GRAMMY AWARD RECIPIENTS:

Album of the Year – 1989, Taylor Swift

Song of the Year – “Thinking Out Loud,” Ed Sheeran and Amy Wadge

Record of the Year  – “Uptown Funk,” Mark Ronson featuring Bruno Mars

Best Rap Album  – To Pimp a Butterfly, Kendrick Lamar

Best Country Album – Traveler, Chris Stapleton

Best Musical Theater Album – Hamilton

Best Rap Performance -“Alright,” Kendrick Lamar

Best Rap Song -“Alright,” Kendrick Lamar

Best Rap/Sung Collaboration -“These Walls,” Kendrick Lamar featuring Bilal, Anna Wise, and Thundercat

Best Rock Performance -“Don’t Wanna Fight,” Alabama Shakes

Best Music Video -“Bad Blood,” Taylor Swift featuring Kendrick Lamar

Best New Artist -Meghan Trainor

Producer of the Year, Non-Classical – Jeff Bhasker

Best Country Song – “Girl Crush,” Hillary Lindsey, Lori McKenna, and Liz Rose (Little Big Town)

Best Country Solo Performance  -“Traveller,” Chris Stapleton

Best Country Duo/Group Performance – “Girl Crush,” Little Big Town

Best Pop Vocal Album – Taylor Swift, 1989

Best Pop Solo Performance  -“Thinking Out Loud,” Ed Sheeran

Best Rock Album – Drones, Muse

Best Alternative Album – Sound & Color, Alabama Shakes

Best Rock Performance – “Don’t Wanna Fight,” Alabama Shakes

Best Rock Song – “Don’t Wanna Fight,” Alabama Shakes

Best Pop Duo/Group Performance – “Uptown Funk,” Mark Ronson featuring Bruno Mars

Best Metal Performance – “Cirice,” Ghost

Best Traditional Pop Vocal Album – “The Silver Lining: The Songs of Jerome Kern,” Tony Bennett and Bill Charlap

Best Traditional R&B Performance – “Little Ghetto Boy,” Lalah Hathaway

Best Dance/Electronic Album – Skrillex and Diplo Present Jack Ü, Skrillex and Diplo

Best Dance Recording-“Where Are Ü Now,” Skrillex and Diplo with Justin Bieber

Remixed Recording, Non-Classical-“Uptown Funk (Dave Audé Remix),” Dave Audé (Mark Ronson featuring Bruno Mars)

Best Urban Contemporary Album-Beauty Behind the Madness, the Weeknd

Best Comedy Album-Live at Madison Square Garden, Louis CK

Best R&B Album-Black Messiah, D’Angelo and the Vanguard

Best R&B Song-“Really Love,” D’Angelo and Kendra Foster

Best R&B Performance-“Earned It (Fifty Shades of Grey),” the Weeknd

Best Blues Album-Born to Play Guitar, Buddy Guy

Best Folk Album-Béla Fleck and Abigail Washburn, Béla Fleck and Abigail Washburn

Best Reggae Album-Strictly Roots, Morgan Heritage

Best New Age Album-“Grace,” Paul Avgerinos

Best Surround Sound Album-“Amused to Death,” James Guthrie and Joel Plante (Roger Waters)

Best Score Soundtrack for Visual Media-Birdman, Antonio Sanchez

Best Song Written for Visual Media-“Glory,” performed by Common and John Legend

Best Music Film-Amy, Amy Winehouse; Asif Kapadia, video director; James Gay-Rees, video producer

Best Compilation Soundtrack for Visual Media-Glen Campbell: I’ll Be Me

Best Spoken Word Album-A Full Life: Reflections at Ninety, Jimmy Carter

Contemporary Instrumental Album-“Sylva,” Snarky Puppy and Metropole Orkest

Best Improvised Jazz Solo-“Cherokee,” Christian McBride

Best Jazz Vocal Album-“For One to Love,” Cécile McLorin Salvant

Best Jazz Instrumental Album-“Past Present,” John Scofield

Best Large Jazz Ensemble Album-“The Thompson Fields,” Maria Schneider Orchestra

Best Children’s Album-“Home,” Tim Kubart

Best World Music Album-“Sings,” Angelique Kidjo

Best Regional Roots Music Album-“Go Go Juice,” Jon Cleary

Best Bluegrass Album-“The Muscle Shoals Recordings,” The Steeldrivers

Best Americana Album-“Something More Than Free,” Jason Isbell

Best American Roots Song-“24 Frames,” Jason Isbell

Best American Roots Performance-“See That My Grave Is Kept Clean,” Mavis Staples

Best Latin Pop Album-“A Quien Quiera Escuchar (Deluxe Edition),” Ricky Martin

Best Tropical Latin Album-“Son De Panamá,” Rubén Blades with Roberto Delgado and Orchestra

Best Latin Rock, Urban or Alternative Album-TIE: “Hasta la Raíz,” Natalia Lafourcade and “Dale,” Pitbull

Best Regional Mexican Music Album-“Realidades, Deluxe Edition,” Los Tigres Del Norte

Best Roots Gospel Album-“Still Rockin’ My Soul,” the Fairfield Four

Best Contemporary Christian Album-“This Is Not a Test,” Tobymac

Best Gospel Album-“Covered: Alive in Asia [Live] (Deluxe),” Israel & Newbreed

Best Contemporary Christian Music Performance/Song-“Holy Spirit,” Francesca Battistelli

Best Engineered Album, Classical-“Ask Your Mama,” Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum, and Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan and San Francisco Ballet Orchestra)

Best Producer, Classical-Judith Sherman

Best Orchestral Performance-“Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Opera Recording-“Ravel: L’Enfant Et Les Sortilèges; Shéhérazade,” Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus and SKF Matsumoto Children’s Chorus)

Best Choral Performance-“Beethoven: Missa Solemnis,” Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann, and Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)

Best Chamber Music/Small Ensemble Performance-“Brahms: The Piano Trios,” Tanja Tetzlaff, Christian Tetzlaff, and Lars Vogt

Best Classical Instrumental Solo-“Dutilleux: Violin Concerto, L’Arbre Des Songes,” Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony)

Best Classical Solo Vocal Album-“Joyce & Tony — Live From Wigmore Hall,” Joyce DiDonato; Antonio Pappano, accompanist

Best Classical Compendium-“Paulus: Three Places of Enlightenment; Veil of Tears & Grand Concerto,” Giancarlo Guerrero, conductor; Tim Handley, producer

Best Contemporary Classical Composition-“Paulus: Prayers & Remembrances,” Stephen Paulus, composer (Eric Holtan, True Concord Voices, and Orchestra)

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