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Deap Vally, Mike Watt, The Shrine Among Bands to Take Echo Stage at Sunday’s Dirty Penni Festival

The Echo Comes Alive in All-Ages Show


This Sunday, a plethora of powerful bands will take the stage at the Echo for the Dirty Penni Festival.

Performers are: Deap Vally; The Shrine; Plague Vendor; Mike Watt and the Jom and Jerry Show; Enjoy; Starcrawler; Zig Zags; Jurassic Shark; Girl Pusher; Flat Worms; Here Lies Man; Beach Bums; Hit Bargain; The Red Pears; Clit Kat; Espresso; Keif Season; Girl Tears; Janelane; Fringe; Capital Wasteland; Sabrina is Not in This Chat; Sketch Orchestra; Model/Actriz and Worn Tin.

Starcrawler will perform at Dirty Penni Festival – Photo © 2017 Donna Balancia

The show is presented by The Echo, Dirty Laundry TV and Penniback Records.

It’s an all-ages show that starts at 12 p.m. (that’s noon to those of you from a different time zone). General admission tickets are $20.

The Echo is located at 1822 W. Sunset Blvd, The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd, Los Angeles, Calif.

Get Tickets for Dirty Penni Fest by clicking our link.

Mike Watt will play Dirty Penni Fest Sunday at The Echo – Photo © 2016 Donna Balancia

British Punk’s Prolific Colin Newman: The Band Wire is Not Just Some Heritage Group from The 1970s

The Drill Fest by Wire Packs the Echo


Wire held its Drill Fest at The Echo and Echoplex, and it was a rare opportunity to see some of punk’s originators tell it like it is.

Judging by the attendance at the fest, which ran over three days and included performers like Mikal Cronin, Bob Mould and of course headliner Wire, it’s easy to see punk is very much alive today. Or it’s making a “curated” comeback at the very least.

The Pink Flag Guitar Ensemble – a roaring finale – Photo © 2017 Donna Balancia

Drill Fest is not just Wire playing on tour, founder Colin Newman told

“Drill is curated by the bands,” Colin said. “It’s just another aspect of what the band do.

Colin Newman: 'Being influential is a double-edged sword' - Photo © 2017 Donna Balancia

Colin Newman: ‘Being influential is a double-edged sword’ – Photo © 2017 Donna Balancia

Wire: Not Re-Living The Past

“The importance is it’s partly to us,” Colin said. “One of the things about Wire is we’re not doing the heritage circuit. We’re not trying to relive our past. It’s about us making connections to other artists, not necessarily younger artists, but artists of different genres, with different ways of working and in a way it’s putting ourselves in a situation and saying this is what we are, we’re not just some band from the ’70s living off our past.”

Great musicians curated at Drill - Photo © 2017 Donna Balancia

Great musicians curated at Drill – Photo © 2017 Donna Balancia

Newman On Being ‘Influential’

Wire has been so influential to so many bands, but that’s an interesting conundrum, Colin said in typical fashion.

“It’s a double-edged sword, really,” Colin said.


“Because you don’t like everything that you’ve influenced,” he said. “But everything influences everything else in music. Music is a dialog.”

Musicians and friends - Photo © 2017 Donna Balancia

Musicians and friends – Photo © 2017 Donna Balancia

That dialog connected this weekend as the crowds at the Echo and Echoplex appreciated the music of many favorites.

Among those who hit the stages were:  Malka Spigel (Minimal Compact), Dean Wareham and Britta Phillips (Luna), Jason Falkner (The Grays, Three O’Clock, Jellyfish), Jessica Lipstate (Noveller), and Jess Labrador, and Shannon Sky Madden (Chasms).

Not just 'Part-Time Punks' The Drill is the real deal - Photo © 2017 Donna Balancia

Not just ‘Part-Time Punks’ The Drill is the real deal – Photo © 2017 Donna Balancia

Other friends and players on hand included Rafe Mandel, Caroline Borolla, Geoffrey Halliday, James Hamblin, Stefan Nelson and Sandy Yang. Wire is Robert Grey, Matthew Simms, Graham Lewis and Colin Newman.



Wire, One of Rock’s Founding Punk Bands, to Play Echoplex This Weekend During Drill Fest


Wire will hold its Drill Fest at The Echo and Echoplex tomorrow through Saturday, and the legendary band will celebrate the release of their new album Silver/Lead.

Wire is one of punk’s founding members, and has been the influence of many of today’s bands. Wire members are Colin Newman, Graham Lewis, Robert Gotobed, Margaret Fiedler McGinnis and Matthew Simms.

Performers set to take the stage at The Echo are Bob Mould, Mikal Cronin + string and horn ensemble, Julia Holter, Mild High Club, Wand, Laetitia Sadier, Fitted, Part Time Punks, Howardamb, Once and Future Band, Chasms, Alina Bea, Noveller, Slows, The Pinkflag Guitar Orchestra.

Check out the WIRE Facebook page.

For Passes and DRILL Tickets go here.

Get tickets to Drill here.

Kim And The Created, Le Butcherettes, Bring Woman Power to Echoplex for Record Release Party

Kim, Butcherettes, Hit ‘Ceiling’ in Wild Show

A triumphant evening for Kim and The Created - Photo © 2016 Donna Balancia

A triumphant evening for Kim and The Created – Photo © 2016 Donna Balancia


Rock ‘N’ Roll may have been a man’s game, but women are taking over, showing they can do anything a man can do and do it wearing high heels.

Kim And The Created and surprise guests Le Butcherettes, climbed to the ceiling, crowd-surfed, and even wound up laying face-down on the floor.  It’s not what they did, but how they did it that showed feminine flair, raw truth and new-era style punk.

With passion and physical strength, the ladies of the night: Wuwu, The Butcherettes and Kim And The Created, captivated the crowd at the Echoplex with great music, in-your-face acts, and flirty but overwhelming power.

Wuwu kicked the night off with her cool, tonal synth, little girl voice, and spirited dancing; her petite and darling  appearance grabbed the audience attention.  She and her ponytail spun between working the keyboards and pirouetting for the people in a little Eskimo outfit reminiscent of a blue Santa’s elf.  But that was about as tender as the night would be, because after that, a couple of storms moved in.

Le Butcherettes

Teri Le Butcherettes Photo by Donna Balancia

Teri of Le Butcherettes surfs the crowd – Photo by Donna Balancia

If there were a thing as seat belts for a concert audience, this would be the time to use them.  Teri Gender Bender, the lead vocalist of Le Butcherettes is an unexpected shock of compressed energy who blows the doors off the hinges.  She stomped out onto a dark stage babbling some wacky chant like “La La La Sha Sha Sha,” all dolled up and waving her arms around, as if being forcibly dragged to some 50s zombie prom in hell.

She went from chanting and stomping to pleading and crying in her native Spanish as well as in English, lying flat out on top of the crowd to jumping in among those standing on the floor.  Teri’s a beautiful, swirling virago of power, music, femininity, athleticism – and theatre drama – all tied up in a messy red-high-heeled, fluffy package.

Teri Gender Bender and Le Butcherettes - Photo © 2016 Donna Balancia

Teri Gender Bender and Le Butcherettes – Photo © 2016 Donna Balancia

“I don’t know if it comes from my parents my mother and father or in the spirit or what,” she said after the show, referring to the appearance that she is possessed while on stage. “Something takes over and I don’t know how to explain it.”

The Guadalajara-born beauty and her Butcherettes sweep you up in the madness, spin you around and rock you backwards.  Then she coos and calms only to blow up at any moment.

Seeing Le Butcherettes is a compelling experience, in two languages no less.  The songs, including Solo Soy Pueblo, Sin Sin Sin, and Kiss and Kill are hypnotic and rebellious, much like the group itself.

Le Butcherettes - Photo © 2016 Donna Balancia

Le Butcherettes – Photo © 2016 Donna Balancia

Teri’s very warm to the audience, as after the show she bent down to reach out, hug and shake hands with a devoted crossover fan base that’s been following her since 2010.

She also had to climb back up to pull one of her red high heels out of the top of the scaffolding where she hung upside-down earlier singing. Just another inherent risk that goes with the punk territory.

To her credit Teri has kept Le Butcherettes going despite changes to the lineup, which now is comprised of Chris Common on drums and Riko Rodruiguez-Lopez on bass.

Kim and The Created Homecoming

A triumphant evening for Kim and The Created - Photo © 2016 Donna Balancia

A triumphant evening for Kim and The Created – Photo © 2016 Donna Balancia

They have a great sound, but Kim And The Created is a remarkable band to watch.

Fresh off their tour supporting The Kills back east, Kim and The Created seemed happy to be welcomed home warmly by an audience that clearly knows her act and loves it.  Their release party was to promote a new 7-inch flexi-disk record, “Get What I Want,” which is catchy and has the look of something you’d have peeled off a cereal box back in the day.

That’s in keeping with the retro style of Kim House, whose performance reinforces solid music that comes from some deep feelings that are universally experienced.

Kim and The Created get a warm homecoming - Photo © 2016 Donna Balancia

Kim and The Created get a warm homecoming – Photo © 2016 Donna Balancia

On stage Kim is clearly in her element and she uses every square inch of space in her wild act.  Nothing gets by her — or the audience — as she leaps off the stage, climbs the scaffolding, runs around, and whips her head and lanky torso  around. It’s clearly a love fest with her fans, and any second thoughts she has obviously melt away when she mans the microphone. She simply takes your breath away.

If you published an instruction manual on how to capture the audience, Kim and The Created would be the authors.  They’re clearly studied professionals on how to do their jobs because this seemingly simple show is actually quite rich in complexity.

Golden Girl, Kim House - Photo © 2016 Donna Balancia

Golden Girl, Kim House – Photo © 2016 Donna Balancia

Theirs is one of the most balls to the wall performances we’ve ever seen.  Kim’s evening was comprised of floating between her riveting guitar work, to laying flat-out, face-down on the floor, dousing the audience with alternating warm words and cold water. Oh, then she considerately throws a pile of napkins around – not something a guy would do.

Kim And The Created’s work is the kind of performance you wish everyone would give on some level, and the performance is so riveting you can’t look away. Kim makes this extremely physical style performance look easy when it’s extremely challenging and best left to those in their 20s.

There must be some type of workouts at the gym to get in shape for this kind of show.  But all that aside, Kim and The Created brings a remarkable rainbow of complexity, beauty and the honest music that everyone — men and women both — can truly cherish.

A triumphant evening for Kim and The Created - Photo © 2016 Donna Balancia

A triumphant evening for Kim and The Created – Photo © 2016 Donna Balancia










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