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Watch the Trailer for the Mick Rock Doc, ‘Shot! The Psycho-Spiritual Mantra of Rock’ in Theaters April 7


Mick Rock has made a career of featuring artists on film. Now the lens is turned on him.

The Magnolia Pictures documentary on Rock’s outstanding career in music photography will get a U.S. release on April 7.

Few punkers and rising rock stars escaped Rock’s lens. When asked how he built such a remarkable and vast portfolio, his answer: “I just don’t sleep.”

Check out the trailer here:


VIDEO: Iggy Pop Classic, ‘The Idiot’ Celebrates 40th Anniversary, And Here’s How It All Came About


In honor of the 40th anniversary of The Idiot, the famous collaboration between Iggy Pop and David Bowie, here is a video that tells the story of how the album was created. The Idiot was released 40 years ago this March 18.

Along with “Nightclubbing,” also on the track list are “Sister Midnight,” “Funtime,” “Dum Dum Boys,” “Tiny Girls” “Baby,” “Mass Production,” and one of Iggy’s first successful songs, “China Girl.”

Bowie enjoyed Iggy’s iconoclastic approach to music, Iggy recalled.

“Here was somebody very very talented and he wanted other outlets,” Iggy said in the video embedded here.  “There were certain things he was able do with me he chose not to do under his own flag. He wrote the music to ‘Nightclubbing,’ and I got very excited and I insisted I write a lyric to that. It wasn’t at all rock. In that case we used a drum machine and at first he said ‘That doesn’t sound professional enough,’ I said, ‘Yes it does it’s good enough for me. I’m only Iggy f***ing Pop.'”

Pop-Up Art Exhibit by Rocker Billy Morrison and Controversial Plastic Jesus Draws Art, Rock Stars

Music, Hollywood, Fete ‘Anesthesia: The Art of Oblivion’

Photos and Story By MARCY KRAFT

“Anesthesia: The Art of Oblivion,” a pop-up gallery collaboration between rocker Billy Morrison and street artist Plastic Jesus brought rockers to Gibson Brands Sunset on Friday night for an opening reception.

The two artists have been fans of each other’s work for some time and “Anesthesia: The Art of Oblivion” is their first public collaboration.

Billy Morrison with Billy Idol and Plastic Jesus - Photo © 2017 Marcy Kraft

Billy Morrison with Billy Idol and Plastic Jesus – Photo © 2017 Marcy Kraft

Exhibit is ‘Everything we Hang Onto’

“Anesthesia: The Art of Oblivion” is described as “everything we hang onto in society to make us oblivious of our own plight and our own situation in life, such as idols, drugs … anything we pick up in culture.”

The artists were on hand to greet guests Friday night and Saturday.

"EXTINCTION" - 48" x 36" Acrylic on Canvas by Billy Morrison

“EXTINCTION” – 48″ x 36″ Acrylic on Canvas by Billy Morrison – Courtesy Billy Morrison

Billy Morrison: Rocker-Turned-Artist

Billy, who is best known as the guitarist for Billy Idol, is a long-time art collector and began creating his own artwork a few years back. His work was also shown last year at the Mouche Gallery in Beverly Hills, and I enjoyed that work immensely, so I was eager to see his new pieces.

“Creating the art was the easy part,” Billy said.

Billy’s solo pieces for this exhibit were months in the making and there’s a joy in finally seeing them on display. The challenge, Billy shared, comes from watching 500 of your closest friends come to critique the work as a part of the process.

Guitar installation on display - Photo © 2017 Marcy Kraft

Guitar installation on display – Photo © 2017 Marcy Kraft

Star-Studded Reception Included Ozzy Osbourne

Judging by the pieces displayed, I doubt Billy will receive any negative input on his work. His art is a fun and provocative collection that the crowd at the opening appeared to enjoy. In attendance were celebrity friends Billy Idol, Ozzy Ozbourne, Carmine Rojas (from David Bowie), Fred Durst (from Limp Bizkit), Steve Jones (from the Sex Pistols), Brandon Boyd (from Incubus), Rob Zombie, Shepard Fairey, and new recording artist Steve Costello.

"EQUALITY" - 48" x 36" - Acrylic on Canvas.

“EQUALITY” – 48″ x 36″ – Acrylic on Canvas by Billy Morrison – Courtesy Billy Morrison

The Art-Crowd ‘Look?’

Billy told a newspaper recently: “Ultimately, I want people to walk away feeling like they were entitled to be there. My personal art collection is pretty substantial, and I’ve spent a lot of money on a lot of iconic pieces, and yet when I walk into some galleries I’m treated like a homeless guy because of the way I look, because I don’t fall into the art-crowd look.”

Most people I spoke said he looked like the rocker-artist that he’s known to be.

Billy Morrison in Camp Freddie with Dave Navarro, Chris Chaney and Matt Sorum - Photo by Cyril Rickelton-Abdi

File photo of Billy Morrison in Camp Freddie with Dave Navarro, Chris Chaney and Matt Sorum – Photo by Cyril Rickelton-Abdi

Plastic Jesus in Attendance

Plastic Jesus showcased a 12-piece mixture of his new and known works while Morrison created 12 new mixed-media paintings specifically for this showing.

Plastic Jesus is know around LA for having erected the 6-inch wall around Donald Trump’s star on The Hollywood Walk of Fame and erecting the life-size gold statue of Kanye West entitled “False Idol” that stood near the site of the Oscar Awards on Hollywood Blvd. This statue was also on display at the showing.

A full collection of Morrison’s work can be found at Billy Morrison’s website. 

To purchase a piece from this collection, email for more information.

Lady Gaga and Metallica Overcome Glitches to Steal the Show at the 59th Annual GRAMMY Awards


David Bowie and Adele were the big winners of the night and Lady Gaga teamed for a wild duet with Metallica at the 59th annual GRAMMY Awards Sunday night.

It was an unusual show, highlighted by strong if not uneven performances as evidenced by Adele’s George Michael tribute that false started — and then restarted — so she could get it right.

Adele is a multiple GRAMMY nominee - Photo by Janine

Adele is a five-time GRAMMY nominee and five-time winner this year – Photo by Janine

Clumsy Comedy by James Corden

The show kicked off with a peculiar mix of clumsy comedy and great music as host James Corden followed Adele’s flawless opener performance of “Hello,” by falling down the stairs to the stage.

21 Pilots took their pants off and told this story: “This story starts in Columbus, it was a few years ago before Josh and I were able to make money making music. I called him up to come over to grandma’s house watch the GRAMMYs and as I looked around I noticed everyone was in their underwear. We said, ‘If we go to the GRAMMYs, or ever win it, we should receive it just like this.’ Not only is this amazing, but I want people watching everywhere to know they could be next. ”

The late David Bowie won five GRAMMYs - Photo courtesy Jimmy King

The late David Bowie won five GRAMMYs – Photo courtesy Jimmy King

Pregnant Beyonce Performs

And a pregnant Beyonce stunned the audience with a slow and technologically enhanced performance of songs “Love Drought” and “Sandcastles” from Lemonade. While some criticized the performance, the audience gave Beyonce a standing ovation and her adoring husband Jay Z applauded affectionately.

Katy Perry introduced her song “Chained to the Rythm” an apparent political statement as her normally colorful set was subdued black and white.

But the props of the night go Lady Gaga and Metallica who put on a firey performance despite James Hetfield’s mic blowing out.  Gaga showed she could do Ultimate Jam Night at the Whisky A Go-Go as she can hold her own against any metal performer. She wrapped her frontwoman duties with a stage dive into the audience.  Later in the night, Metallica played the Palladium in Hollywood.

Bowie’s Blackstar won five awards, and that tied with Adele, who swept all five categories in which she was nominated.  Drake and Lalah Hathaway each took two statuettes.

The band 21 Pilots weren’t the only newcomers to take home a statuette. The Chainsmokers won for Best Dance Recording, Maren Morris won Best Country Solo Performance for “My Church,” and Cage The Elephant took home Best Rock Album.

Chance the Rapper accepts the Best New Artist artist award onstage during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. Photo courtesy

Chance the Rapper accepts the Best New Artist artist award onstage during The 59th GRAMMY Awards at STAPLES Center on February 12, 2017 in Los Angeles, California. Photo courtesy

Chance The Rapper

Chance the Rapper, who won the first award of the main show — it was the second GRAMMY of the day for him — seemed at a loss for words. When he won Best Rap Album, he had been sporting a hat with the number 3 on it. Chance the Rapper is the first recording artist to win a GRAMMY that was distributed through streaming. Drake took home two awards.

Paris Jackson, who appeared in good spirits following her bombshell accusations that her father Michael Jackson was murdered, introduced a notable duet betwen The Weeknd with Daft Punk “I Feel It Coming.”

By comparison to all the other acts, Ed Sheeran exemplified the state of music affairs today by performing solo with his looper pedals and guitar, singing “I’m in Love With Your Body.”



David Bowie in Mexico City: Photog Fernando Aceves Captures ‘The Chameleon’ in Forest Lawn Exhibit

Bowie in Mexico City By Fernando Aceves


David Bowie loved Mexico City and back in 1997, he spent three days with photographer Fernando Aceves touring the city’s historic museums and the pyramids.

Aceves documented the Bowie tour of Mexico City and brings his remarkable photo gallery, David Bowie: Among The Mexican Masters to Forest Lawn Museum.  The exihibit runs from tomorrow, Friday, Jan. 27, through June 15.

Image of David Bowie © Fernando Aceves - courtesy of Forest Lawn Museum

Image of David Bowie © Fernando Aceves – courtesy of Forest Lawn Museum

Bowie In Mexico City

“David’s personality inspired me,” said Aceves, a well-known rock and roll photographer based in Mexico City. “I was always a fan of David’s growing up in Mexico City, but I was more a familiar with his acting like in The Man Who Fell to Earth.

Bowie played his first and only show in Mexico City on October 23, 1997 at the Foro Sol during the world tour to promote his Earthling album. Aceves got the great opportunity to accompany Bowie when the concert promoter asked Aceves to help make Bowie’s tour of Mexico City a success.

David Bowie in Mexican City Masters is on display at Forest Lawn Museum through June - Photos © Fernando Aceves courtesy of Forest Lawn Museum

David Bowie and The Mexican Masters is on display at Forest Lawn Museum through June – Photos © Fernando Aceves courtesy of Forest Lawn Museum

Observing The Masters

The exhibit is revealing, showing a side of the performer mingling with locals, enjoying his tour and taking in the culture. In the images, Bowie blows a conch shell, tours the pyramids and observes the master painters with reverence.

“This exhibit shows the down-to-earth man who felt strong admiration and respect for other cultures from around the world,” said Ana Pescador, director of Forest Lawn Museum. “With David Bowie as their tour guide, we are excited to take visitors on an inspirational tour of Mexico.”

David Bowie In Mexico City: He interacted with the people and observed the culture' said photographer Fernando Aceves - Photo courtesy of Forest Lawn Museum

‘David interacted with the people and observed the culture’ said photographer Fernando Aceves – Photo courtesy of Forest Lawn Museum

Sharing: Bowie in Mexico City Culture

“This is a great opportunity and part of our mission to share the culture of Mexico,” said Rodolfo Saenz, senior vice president of marketing at Forest Lawn Memorial Parks and Mortuaries. “It’s the 1-year anniversary of David Bowie’s passing and we wanted to celebrate his life and legend.

As the two men toured around Mexico City, David would admire the works of such masters as Diego Rivera and Frida Kahlo while Aceves would casually document the adventure.

David had a wry sense of humor in his approach - Photo © Fernando Aceves

David had a wry sense of humor in his approach – Photo © Fernando Aceves

David Bowie Fitting In

“He would fit into the paintings while he admired them,” Aceves said. “I was as casual as we could be and I never use a flashbulb. David would say, ‘My man doesn’t need any flash.'”

Bowie was on a mission, Aceves said.

“David had many marks in his Mexico guidebook,” Aceves said. “He wanted to write an article for Modern Painter and wanted to see the works of the masters. I don’t think the article was ever published.

“We went to the pyramids and the Palace of Fine Art,” Aceves said.  “He looked at the paintings with great respect. Mostly he observed in silence. I understand why they called him the chameleon. Like with the Diego Rivera painting, he fit into the painting.”

bowie-13-balancia-forest (1 of 1)

David Bowie photo exhibit runs through June at Forest Lawn Museum – All photos © Fernando Aceves

‘Actor In a Movie’

“He called me the ‘smudger’ and he referred to himself in the third person,” Aceves said. “He would say ‘You’re taking David to Mexico City.’ He was aware of the character.”

What is the secret to getting such insightful photos?

“I photographed him as an actor in a movie,” Aceves said. “I had to work as simple as the man.”

GRAMMYs 2016 – Dearly Departed Musicians Upstaged Those Still Here

Full List of Winners Here; Lady Gaga, Hollywood Vampires Mesmerize

Justin Bieber - Photo courtesy of CBS for

Justin Bieber – Photo courtesy of CBS for

By DONNA BALANCIA – It was a rough year for the music business and the 58th annual GRAMMY Awards reflected that, as dead musicians took the spotlight from today’s performers.

Lady Gaga honored David Bowie; Bonnie Raitt, Chris Stapleton and Gary Clarke Jr. performed in honor of BB King; and The Hollywood Vampires, alias Johnny Depp, Alice Cooper and Joe Perry, played in honor of Lemmy Kilmister.

As for the awards, Taylor Swift, Kendrick Lamar and even Justin Bieber got GRAMMY awards Monday night. And while many may have a hard time with Bieber, we have to admit he has a great voice and he does play guitar.

GRAMMYs: Rigged and Antiquated takes the position that the GRAMMY Awards event is a rigged and antiquated marketing function. The GRAMMY awards are highly irrelevant to 90 percent of aspiring musicians of today.  For established musicians, attending a GRAMMY Awards event and getting on national TV boosts recognition and sales.

Lady Gaga gave a fitting tribute to David Bowie during GRAMMY Awards - Photo courtesy CBS for

Lady Gaga gave a fitting tribute to David Bowie during GRAMMY Awards – Photo courtesy CBS for

But, big bucks are invested in the GRAMMY Awards. The annual event, and events like it, are important to musical instrument manufacturers who are having a very rough time getting young people to play traditional drums, keyboards and guitar.  The GRAMMYs can put a dream in a kid’s head, a guitar in his or her hands, and money into the empty coffers of today’s music schools.

So the industry props up Taylor Swift, Justin Bieber and all the others, whether they have true talent or not, regardless if autotune is in their DNA, or whether they have truly “made it on their own” or not.

So congrats to the winners.

As for performances, a strong showing of the evening was that of The Hollywood Vampires, who busted their national TV cherry, putting on a tribute to Lemmy Kilmister. This Sunset Strip supergroup is so appealing and influential it could possibly single-handedly keep rock and roll alive.

The music business owes a vote of thanks to Johnny Depp and The Hollywood Vamps who make Rock N Roll Cool - Photo courtesy CBS for

The music business owes a vote of thanks to Johnny Depp and The Hollywood Vamps who make Rock N Roll Cool – Photo courtesy CBS for covered Johnny Depp’s compelling performance with The New Basement Tapes at The Montalban Theatre; Alice Cooper is an all-time original, whose “School’s Out” was a national anthem, and Joe Perry is pure class. And if we’re going for full disclosure we’re biased because we’re fans of not only outstanding producer Bruce Witkin, who is the bassist in the band, but also his beautiful and creative family.

Gwen Stefani, formerly of The Voice, debuted her single “Make Me Like You” via a high-dollar, one-take, but ultimately cheesy Target ad. Her record bows March 18.

Foo Fighters Still Together?

Foo Fighters, whose existence is in question since their long email note to the fans a few months back indicating they would stop touring, lost out to Alabama Shakes in the best rock performance category. The “wrap it up music” cued not only Alabama Shakes, but others during their acceptance speeches.

Gwen Stefani's Target commercial hit the airwaves during the GRAMMY Awards - Photo © Donna Balancia

Gwen Stefani’s Target commercial hit the airwaves during the GRAMMY Awards – Photo © Donna Balancia

Adele, What Happened?

Adele, whose chart-topping album, 25, was a multimillion seller, had some challenges. She missed the high notes during her performance of “All I Ask,” and the best we can figure is she has the walking pneumonia that’s plagued everyone in LA recently. Extremely talented and appreciated, it wasn’t her night, but she can take comfort weeping into her millions. She blamed a microphone causing a clanging sound. Rihanna canceled her GRAMMY appearance because of that LA flu. Smart move.

For the people who were actually there, it was good to see those who had passed were honored by the likes of Gaga, and Jackson Browne and Joe Walsh.

Browne and Walsh led their version of “Take It Easy” in tribute to Glenn Frey who also passed away a few weeks ago. Gaga, who seems to be every old musician’s favorite pal — she is godmother to Elton John’s children and hangs with Tony Bennett — put on a ripping performance to honor David Bowie through the years.

The Hollywood Vampires - Photo courtesy of CBS for

The Hollywood Vampires – Photo courtesy of CBS for

Stevie Wonder led the the tribute to Lionel Richie singing “That’s The Way of The World;” his voice is still amazingly clear and he appeared in good nature.  He made a brief but poignant statement on helping to enable people with disabilities.

With fashion, short undergarments with draping skirts were the style of the night (for the gals) as many picked gowns with thigh-high slits or outfits that flashed short shorts. Wonder actually slayed in the fashion department too, wearing camouflage in introducing Song of the Year. For the men, the print shirts and black and white tuxedoes were the flavor this year.

Among those who received a GRAMMY Lifetime Achievement Award was Run DMC. Reverend Run (Joseph Simmons, brother to Russell Simmons) with all his advice and words of wisdom said his story and music was always told from his heart.

Original Wrapper

East Coast Rocker readers remember the night Run DMC warmed up for Lou Reed during his Original Wrapper show at the Capitol Theatre in Pasaic, N.J. and they had a very rough time with the audience. The audience was having none of this rap warm-up band and was calling out “Lou! Lou!” and catcalling “Boo!” while Run DMC was performing and scratching. OK it was 1986.

Mavis-Staples-Photo © Donna Balancia

Mavis-Staples-Photo © Donna Balancia

Speaking of rap, Kendrick Lamar’s performances were spot on and interesting at least, if not costly — and hot! — with fire burning right in the middle of Staples Center.

And lest we forget, a special congrats goes out to the grande dame of rock music, Mavis Staples, who was awarded the American Roots Award.


Album of the Year – 1989, Taylor Swift

Song of the Year – “Thinking Out Loud,” Ed Sheeran and Amy Wadge

Record of the Year  – “Uptown Funk,” Mark Ronson featuring Bruno Mars

Best Rap Album  – To Pimp a Butterfly, Kendrick Lamar

Best Country Album – Traveler, Chris Stapleton

Best Musical Theater Album – Hamilton

Best Rap Performance -“Alright,” Kendrick Lamar

Best Rap Song -“Alright,” Kendrick Lamar

Best Rap/Sung Collaboration -“These Walls,” Kendrick Lamar featuring Bilal, Anna Wise, and Thundercat

Best Rock Performance -“Don’t Wanna Fight,” Alabama Shakes

Best Music Video -“Bad Blood,” Taylor Swift featuring Kendrick Lamar

Best New Artist -Meghan Trainor

Producer of the Year, Non-Classical – Jeff Bhasker

Best Country Song – “Girl Crush,” Hillary Lindsey, Lori McKenna, and Liz Rose (Little Big Town)

Best Country Solo Performance  -“Traveller,” Chris Stapleton

Best Country Duo/Group Performance – “Girl Crush,” Little Big Town

Best Pop Vocal Album – Taylor Swift, 1989

Best Pop Solo Performance  -“Thinking Out Loud,” Ed Sheeran

Best Rock Album – Drones, Muse

Best Alternative Album – Sound & Color, Alabama Shakes

Best Rock Performance – “Don’t Wanna Fight,” Alabama Shakes

Best Rock Song – “Don’t Wanna Fight,” Alabama Shakes

Best Pop Duo/Group Performance – “Uptown Funk,” Mark Ronson featuring Bruno Mars

Best Metal Performance – “Cirice,” Ghost

Best Traditional Pop Vocal Album – “The Silver Lining: The Songs of Jerome Kern,” Tony Bennett and Bill Charlap

Best Traditional R&B Performance – “Little Ghetto Boy,” Lalah Hathaway

Best Dance/Electronic Album – Skrillex and Diplo Present Jack Ü, Skrillex and Diplo

Best Dance Recording-“Where Are Ü Now,” Skrillex and Diplo with Justin Bieber

Remixed Recording, Non-Classical-“Uptown Funk (Dave Audé Remix),” Dave Audé (Mark Ronson featuring Bruno Mars)

Best Urban Contemporary Album-Beauty Behind the Madness, the Weeknd

Best Comedy Album-Live at Madison Square Garden, Louis CK

Best R&B Album-Black Messiah, D’Angelo and the Vanguard

Best R&B Song-“Really Love,” D’Angelo and Kendra Foster

Best R&B Performance-“Earned It (Fifty Shades of Grey),” the Weeknd

Best Blues Album-Born to Play Guitar, Buddy Guy

Best Folk Album-Béla Fleck and Abigail Washburn, Béla Fleck and Abigail Washburn

Best Reggae Album-Strictly Roots, Morgan Heritage

Best New Age Album-“Grace,” Paul Avgerinos

Best Surround Sound Album-“Amused to Death,” James Guthrie and Joel Plante (Roger Waters)

Best Score Soundtrack for Visual Media-Birdman, Antonio Sanchez

Best Song Written for Visual Media-“Glory,” performed by Common and John Legend

Best Music Film-Amy, Amy Winehouse; Asif Kapadia, video director; James Gay-Rees, video producer

Best Compilation Soundtrack for Visual Media-Glen Campbell: I’ll Be Me

Best Spoken Word Album-A Full Life: Reflections at Ninety, Jimmy Carter

Contemporary Instrumental Album-“Sylva,” Snarky Puppy and Metropole Orkest

Best Improvised Jazz Solo-“Cherokee,” Christian McBride

Best Jazz Vocal Album-“For One to Love,” Cécile McLorin Salvant

Best Jazz Instrumental Album-“Past Present,” John Scofield

Best Large Jazz Ensemble Album-“The Thompson Fields,” Maria Schneider Orchestra

Best Children’s Album-“Home,” Tim Kubart

Best World Music Album-“Sings,” Angelique Kidjo

Best Regional Roots Music Album-“Go Go Juice,” Jon Cleary

Best Bluegrass Album-“The Muscle Shoals Recordings,” The Steeldrivers

Best Americana Album-“Something More Than Free,” Jason Isbell

Best American Roots Song-“24 Frames,” Jason Isbell

Best American Roots Performance-“See That My Grave Is Kept Clean,” Mavis Staples

Best Latin Pop Album-“A Quien Quiera Escuchar (Deluxe Edition),” Ricky Martin

Best Tropical Latin Album-“Son De Panamá,” Rubén Blades with Roberto Delgado and Orchestra

Best Latin Rock, Urban or Alternative Album-TIE: “Hasta la Raíz,” Natalia Lafourcade and “Dale,” Pitbull

Best Regional Mexican Music Album-“Realidades, Deluxe Edition,” Los Tigres Del Norte

Best Roots Gospel Album-“Still Rockin’ My Soul,” the Fairfield Four

Best Contemporary Christian Album-“This Is Not a Test,” Tobymac

Best Gospel Album-“Covered: Alive in Asia [Live] (Deluxe),” Israel & Newbreed

Best Contemporary Christian Music Performance/Song-“Holy Spirit,” Francesca Battistelli

Best Engineered Album, Classical-“Ask Your Mama,” Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum, and Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan and San Francisco Ballet Orchestra)

Best Producer, Classical-Judith Sherman

Best Orchestral Performance-“Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra)

Best Opera Recording-“Ravel: L’Enfant Et Les Sortilèges; Shéhérazade,” Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus and SKF Matsumoto Children’s Chorus)

Best Choral Performance-“Beethoven: Missa Solemnis,” Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann, and Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)

Best Chamber Music/Small Ensemble Performance-“Brahms: The Piano Trios,” Tanja Tetzlaff, Christian Tetzlaff, and Lars Vogt

Best Classical Instrumental Solo-“Dutilleux: Violin Concerto, L’Arbre Des Songes,” Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony)

Best Classical Solo Vocal Album-“Joyce & Tony — Live From Wigmore Hall,” Joyce DiDonato; Antonio Pappano, accompanist

Best Classical Compendium-“Paulus: Three Places of Enlightenment; Veil of Tears & Grand Concerto,” Giancarlo Guerrero, conductor; Tim Handley, producer

Best Contemporary Classical Composition-“Paulus: Prayers & Remembrances,” Stephen Paulus, composer (Eric Holtan, True Concord Voices, and Orchestra)

Lives of Lemmy and Bowie Celebrated in Venues Across L.A.

Lindsay and Rock - Photo by Donna Balancia

Lindsay and Rock – Photo by Donna Balancia

Monty’s Bar and Rainbow Among Bowie Party Places

– By DONNA BALANCIA – They reminisced about everything from prank phone calls to whisky days, as across LA friends and fans of David Bowie and Lemmy celebrated the two legendary musicians.

At the Rainbow fans signed a giant banner, placed flowers and partied for Lemmy and at Monty’s downtown there was a celebrity DJ party.

Clem Burke of Blondie - Photo © 2016 Donna Balancia

Clem Burke of Blondie – Photo © 2016 Donna Balancia

At Monty’s Bar, people dressed up in their Bowie best and listened to stories from the likes of Lol Tolhurst of the Cure; Clem Burke of Blondie; Jerry Cazale of Devo; Nik Turner of Hawkwind; Douglas McCarthy of Nitzer Ebb and others.

Lol, who is a founder of The Cure, said he once received a call from Bowie, but didn’t believe it was really him and hung up on him.

Kevin Haskins, drummer of Bauhaus, said he was so nervous when he met Bowie the cigarette he was holding was shaking to the point where he couldn’t get it lit.

Lol Tolhurst recalls his Bowie stories - Photo © 2016 Donna Balancia

Lol Tolhurst recalls his Bowie stories – Photo © 2016 Donna Balancia

California Rocker put together a selection of photos from around LA.  Photos courtesy of Mike Jakubow, Joe Bagnato, Jayson Larson and Manny Dominguez.

“I know that Lemmy loved Los Angeles, but I’m not sure Bowie liked LA at all,” said one party goer. “In fact I think Bowie said he wasn’t a big fan.”

Well, regardless of how Bowie felt about LA, LA showed its love for the legends.

David Bowie’s New Release ‘Blackstar’ Covers His Own Death, Fans Grieve

Grief And Shock Around the World


How long had David Bowie been suffering under the cloak of silence regarding his cancer diagnosis?

We know he had been making music until his final hours as many of the mysteries are solved:  Why he hadn’t been touring, why the name Blackstar and why the somber tone on his recent music.

One thing is certain, David left those of us who loved his music since childhood inspired and amazed, ever dazzled by his range of personas and musical talent.

We will not forget, Ziggy Stardust.

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